Beginning Review
Beginning Review Here is actually the much-admired feature introduction of Georgian manager Dea Kulumbegashvili, a part of the official choice for the past year's penalizing Cannes movie festival, in which it could have been a shock-cinema speaking point had the occasion gone . It's co-produced from the Mexican film-maker Carlos Reygadas, whose influence is quite clear, and the film as a whole is a intensely, really overbearingly, curated and controlled encounter. It's a series of disquieting tableaux, taken largely from fixed camera places where the appropriate action can be occurring very far away, and among those speakers may be off-camera for extended periods: a theater in the high fashion of Haneke, Farhadi and Kiarostami. Every time a spiritual meeting is firebombed by bigoted locals, David creates a formal complaint to the (both bigoted) authorities about their marked absence of work or interest in finding the offenders, also makes a visit to Tbilisi to discuss thing...